Ned Donovan - Ithaca ‘12

Well hey there everyone,

Long time no post on my end, and I’m sorry about that…it’s been a busy month.  I want to start this post off in a shameless plug for a show I am involved in.  Fenix Theatre Co. in Portland has been producing Shakespeare in the park this summer, and after a very successful run of Taming of the Shrew at the beginning of the summer, they are about to open A Midsummer Night’s Dream.  I am a co-fight director for the project alongside the absolutely amazing Sally Wood (this woman had a C-section about 2 weeks prior to the first rehearsal, and she’s out there teaching things and kicking ass and taking names).  It’s directed by Peter Brown who directed The History Boys for Madhorse Theatre Company, and having watched it, it’s gonna be awesome.  A couple shoutouts to the cast as well, Seth Rigoletti (my drama teacher at Waynflete) is playing Demetrius, and Vano Kimmel (graduated from Waynflete with me, is now an Acting major at Clairmont) is playing a fairy in the fairy ensemble.  I’ve loved working on the show, and I can’t wait to see it, and you all should too.  It opens wendesday, and runs wednesday through saturday starting at 6 o’clock and runs for two weeks.

Last week my mother, Nicole, and I went up to the Maine State Music Theatre to see the preview night of their new show “Crazy For You”.  As always, I loved what I saw at MSMT.  Now the first thing that will get said to me by anyone who was also there was that the Technical aspects were a mess.  Yes, this is true, but there were a lot of them, and preview is not opening, it’s essentially dress rehearsal people pay to come see.  The tech issues happened, the show moved on, from what I hear from other people who have seen the show since, they have worked out most if not all of the kinks, and I still enjoyed myself despite them.

Tony Yazbeck is a god.  That’s really all there is to it, he takes the show, makes it his own, and truly shines on this stage.  As Bobby Child/imitation Bela Zangler is hilarious, fun, and boy can the guy dance!  His real-life fiancée Jessica Lee Goldyn plays the romantic lead Polly Baker.  Together they take the show under their wing and guide it through a night of singing, dancing, hilarity, and Gershwin music!  Oh did I mention that they were Al and Val respectively in the broadway revival of A Chorus Line?

Hey everyone,

Just a quick post to let you all know that I have a new video up on my YouTube channel, and therefore here on my website.  This one is a performance of “I’m Coming Out of My Shell” from A Year With Frog and Toad.  To see the video simply click here, or click on the “Media” button in the upper right hand corner of the page, followed by the “Videos” subpage.

The video is from the Bonnin Studio Recital on June 28th 2009 at the Italian Heritage Center in Portland Maine.  I had hoped to put up a video of myself performing “Streets of Dublin” from A Man of No Importance, but due to both my own error while singing the song, and a camera error involving intermittent sound cutouts as well as focus issues, that one will have to be saved for another day.

Enjoy the videos, and please let me know what you think either by leaving me a comment here on the site, sending me an e-mail using my contact form, or leaving me a comment on the video on Youtube!

~Ned Donovan

It’s the song that rings in most aspiring musical theatre performers.  ”God I hope I get it! I hope I get it! How many people does he need?”  That number from A Chorus Line accurately sums up the feelings most people have at an audition.  How many times have you heard a cabaret group do the song “One”?  I can say I’ve heard it a lot.  Every Little Step is a documentary following the audition process of the 2005 revival of A Chorus Line on broadway.  They take you from day one, to shots from the performances, complete with callbacks, and rejections; laughs, and tears; and thrilling moments of exultation all the way to moments of bone-crushing defeat.

It also tells the tale of the coming about of A Chorus Line, when Michael Bennett sat 24 dancers down in a circle, and they had a 12 hour talk session where everyone told their stories.  It was captured with a reel to reel recorder (I believe the recordings are in the archives at the New York Public Library for the Performing Arts) and from those conversations a show was born.

Hey everyone,

So I have concluded my one-day run of A Year With Frog and Toad at the Maine State Music Theater.  As is such I have been coming to grips with that my theatrical side will have to be sedated until I reach Ithaca again.  This is not 100% true, I’ll be performing with Anthony’s Italian Kitchen Dinner Theatre on saturday nights for July and August…but I won’t be a part of a show for a while now.  During my time with MSMT and while I searched for a job, one of the things that fell by the wayside for me was dancing.  The last dance class I took until recently was my Ballet final at school.  I’m making a conscious decision to change that now.  I’ll be taking four or five classes a week between three different schools of dance in Portland.  I’ll be taking a ballet class through Portland Ballet Company; tap, jazz, and ballet at Casco Bay Movers; and a ballet/jazz fusion class through Vivid Motion.  This hopefully will sedate my theatrical side for the next couple months, as well as get me back on track to being in shape.